Deen Dayal exhibition merchandise on sale!
Photos of the Deen Dayal themed merchandise available at the IGNCA (exhibition venue).
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Elegies in Glass
The enduring beauty of Raja Deen Dayal’s photography goes beyond a merely historical interest in colonial or patrician India, just as Holbein’s art captivates a viewer who has no particular interest in Henry VIII and his court, says Aveek Sen of The Telegraph.
Conservation at Udaipur in the news
The December 2010 issue of ArchitectureUpdate has an article by Dr. Shikha Jain (director of DRONAH, whom we work with on a number of projects) on the architectural conservation work being done by her team at Udaipur.
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FotoWala-Documentary Photography in India
Sephi Bergerson is a documentary photographer based in New Delhi since 2002, and in one of his posts he talks about the existence of the many kinds of photographers still working in Delhi today.
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Dungarpur touched by the ‘Spirit of Ecstasy’
The Eka staff at Dungarpur were lucky enough to witness the Dungarpur stop of a vintage car rally flagged off from Udaipur to Jodhpur in October 2010. Read about it and see pics here!
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A sharp gaze
Raja Deen Dayal’s images are a fascinating record of India’s past says Shailaja Tripathi of The Hindu.
Vignettes of a splendorous era
Ranvir Shah, Founder Trustee of the Prakriti Foundation, Chennai, reviews the Deen Dayal exhibition.
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The Raja of Indo-Anglia
Shweta Sharma of the Sunday Guardian reviews the Deen Dayal exhibition.
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Debashree Banerjee
Debashree has graduated in History from Indraprastha College, Delhi University and completed her Masters in Heritage Research and Management, Conservation from Delhi Institute of Heritage Research and Management , Indraprastha University. She has worked as a programme coordinator with the Indian National Trust for Art and Cultural Heritage (INTACH) and has also worked as a
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Arundhati Dasgupta
Arundhati is working with Eka to catalogue the Nemai Ghosh Archives at Delhi Art Gallery. She is concurrently pursuing a Ph.D. at the National Museum Institute, New Delhi, after finishing a Masters in History of Art from the same. She is also visiting faculty at the National Museum Institute. Prior to her present engagement in
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